10º Edição – OLHARES DO MEDITERRÂNEO 2023
MELHOR CURTA BEST SHORT COMPETIÇÃO GERAL CURTAS SHORT FILM COMPETITION
OUÇA AQUI LISTEN TO IRENE BAQUÉ
COMPETIÇÃO GERAL CURTAS METRAGENS
||||||| QUI 9 NOV • 14H30 | CINEMA SÃO JORGE • SALA 3
Este filme está integrado numa sessão com ON MY FATHER’S GRAVE e CYCLE e haverá um debate a seguir
||||||| QUI 9 NOV • 15H30 | CINEMA SÃO JORGE • SALA 2
DEBATE • EXPERIÊNCIAS E PARTICIPAÇÕES FEMININAS NA ESFERA PÚBLICA
A partir dos filmes da sessão anterior
ENTRADA LIVRE NO DEBATE / FREE ENTRY AT THE ROUND TABLE
CARMEN, SIN MIEDO A LA LIBERDAD
Irene Baqué
Espanha • Doc • 2023 • 30’
Do bairro “Las 600”, no Sul de Espanha, Carmen lidera a primeira associação de mulheres ciganas feministas para combater o racismo sistémico e o sexismo. Tendo quebrado todos os estereótipos, Carmen tem de lidar com a pressão de se ter tornado a esperança de mudança da sua comunidade à medida que avança com os seus objetivos.
From the “Las 600” neighbourhood in the South of Spain, Carmen is leading the first association of feminist Roma Women to fight systemic racism and sexism. Having broken all the stereotypes, Carmen has to deal with the pressure of having become her community’s hope for change as she moves on with her goals.
Argumento Screenplay Irene Baqué
Produção Production Carlota Coloma
Fotografia Cinematography Artur-Pol Camprubí
Montagem Editing Lidia Sala
Design de Som Sound Design Diego Pedragosa
Distribuidor Distributor Freak Agency
Prémios Awards
Melhor Documentário, Semana del Cortometraje de Medina del Campo, Espanha
Festivais Festivals
Espanha Festival de Cine de Cartagena | Festival Intl de Cinema de Cerdanya | Festival Intl de Cine y Derechos Humanos de Valencia | Festival Intl de Cine Pequeño, Aspe | Festival de Cine de Madrid | Festival Intl de Cine Invisible de Bilbao | Curtas Vila do Conde, Portugal
Nota da Realizadora Director’s Statement
When I met Carmen, I was surprised by the amount of prejudice that still exists in Spain towards the Roma community, and how little the reality in which they truly live had been portrayed. Through endless conversations and debates, Carmen and Guru (her comrade-in-arms) immersed us in a racialised feminist struggle where sisterhood with other racialised women pushed them forward. And I soon understood that cinema today is still far behind in feminist issues, compared to what is happening in cities like Cartagena. I think that in this film you can appreciate the feminine point of view from which it has been made. With a team of mostly women, I think we approach feminism in a subtle and not just vindictive way. We explore how racism and machismo always go hand in hand, through the voices and stories of all the women who appear in the film.
