Cindy

7ª edição – 2020

MENÇÃO ESPECIAL COMEÇAR A OLHAR 2020
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26 NOV – 10 DEZ | FILMIN
Sessão ASSIM É A VIDA, RAPARIGA

COMEÇAR A OLHAR – FILMES DE ESCOLA SCHOOL FILM COMPETITION  

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                                                                                                                                         Cindy

Shemer Gaon Baraba
Israel | ficção | 2019 | 16’

Navit, uma maria-rapaz adolescente da quinta de gado leiteiro de uma aldeia no sul de Israel vai de carro com o pai, Victor, vender a vaca Cindy a um comerciante de carne árabe. À medida que o dia passa, Navit compreende que o pai pode não valorizar como ela pensava a sua capacidade como criadora de gado. 

Navit is a tomboy and a teenage cattle breeder from a village in the south of Israel. One day she drives together with her father Victor to sell their best cow Cindy to an Arab meat dealer. As the day unfolds, Navit realises that her father might not value her knowledge of cattle breeding as much as she thought he did.

Argumento Screenplay Shemer Gaon Baraba
Produção Production Adar Shafran
Fotografia Cinematography Matthias Zagoni
Montagem Editing Shay Levi
Música Original Original Music Israel Bright
Direcção de Arte Art Director Romi Lee
Som Sound Design Nin Hasan
Com With Noa Astanjelove, Dani Steg, Kadar Herini e Abd Alsad
Escola School Minshar School of Art
Distribuição Distributor  Costanza Film Distribution

Prémios Awards
Melhor Argumento + Melhor Representação, Tel Aviv Student FF, Israel 

ESTREIA INTERNACIONAL INTERNATIONAL PREMIÈRE

 Website

Nota da Realizadora
I grew up in a family of farmers. During the summer vacation, I would lay irrigation tubes in the squash patch and the twigs on the ground would hurt my feet. My legs were always covered with cuts and scratches, not exactly a girly look. As a young girl, I was required to work, get my hands dirty and at the same time, be thin and gentle. This double standard created a conflict within my own femininity. In the movie Navit, the protagonist is required by her father to define her femininity but doesn’t know which womanly version is the right one. The event in the movie is described as routine – a world where cows are sold and slaughtered daily. At the end of this social food chain, almost naturally, the protagonist becomes merchandise as well.