QUA WED | 30 OUT | 21h30 | Sala 3
Competição Geral Longas | General Competition Feature Films
Com a presença da realizadora | With the presence of the director
Sonja Prosenc
Eslovénia, Itália, Noruega | fic | 2018 | 105’

A jovem Iva de 17 anos está a tentar interiorizar a morte da mãe. Influenciada por esta profunda perda pessoal e pela descoberta de que não sabia tudo sobre a mãe, a rapariga mergulha lentamente num estranho mundo de quase sonho, longe da realidade.

Seventeen-year-old Iva is in the process of coming to terms with the death of her mother. Influenced by this deep personal loss and by the discovery that she didn’t know everything about her mum, the girl slowly immerses herself into a strange, almost dreamlike world far from reality.

Argumento Screenplay Sonja Prosenc
Produção Production Rok Sečen, Sonja Prosenc, Nadia Trevisan, Jarle Bjørknes
Fotografia Cinematography Mitja Ličen, ZFS
Montagem Editing Frida Eggum Michaelsen
Desenho de Som Sound Design Riccardo Spagnol, Julij Zornik, Gisle Tveito
Produtora Produced by Monoo (Rok Sečen, Sonja Prosenc), Nefertiti Films (Nadia Trevisan), Incitus Films (Jarle Bjørknes)
Com With Kristoffer Joner, Doroteja Nadrah, Zita Fusco, Matej Zemljic, Matija Vastl, Daniele Tenze

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Prémios Awards
Prémio Especial, Festival of New Film, Split, Croácia | Melhor Obra Original + Melhor Fotografia, Slovenian FF, Eslovénia | Melhor Fotografia, Association of Slovenian Cinematographers Award for Best Cinematography in a Feature Film | Globo de Cristal + Menção Especial do Júri, Karlovy Vary IFF, República Checa

Festivais Festivals
Braunschweig IFF, Alemanha | K3 FF, Áustria | El Gouna FF, Egipto | Ljubljana IFF, Eslovénia | Slamdance, EUA | Sunscreen Festival Florida, EUA | Torino IFF, Itália | Riga IFF, Letónia | Scanorama, Vilnius, Lituânia | CinEast Luxumbourg, Luxemburgo | HN Montenegro FF, Montenegro | Tromsø IFF, Noruega | Al Este FF, Peru | Adana FF, Turquia | Cineuropa IFF


Website | IMDB

Nota de intenções Director’s Statement

HISTORY OF LOVE is an elegiac tableau of a family dealing with the loss of the mother in the light of the new discovery about her. We witness a struggle of people that are left behind, people who don't know how to share their loss and connect to each other in their almost physical pain; people who almost become nothing more than “bodies" of grief. Until something is sacrificed and the family is able to reconnect.

In my first film "The Tree" I was exploring the theme of imprisonment or confinement in three different forms: physical, within a system, and in our own feelings of guilt - all through one story about a blood feud. In History of Love I venture away from a kind of a commentary on a social issue into an intimate tale of Iva and her family. But the urge to explore the characters’ inability to connect with each other in the worst moments of their lives still derives from a reflection on the society: currently prevalent nihilism, violence and emotional detachment. 

A presença da realizadora teve o apoio do Ministério dos Negócios Estrangeiros e do Ministério da Cultura da República da Eslovénia | The presence of the director was supported by the Ministery of Foreign Affairs and the Ministery of Culture of the Republic of Slovenia