Natan

COMEÇAR A OLHAR
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QUI 9 NOV • 17H00 | CINEMA SÃO JORGE • SALA 3
COM A PRESENÇA DA REALIZADORA THE DIRECTOR WILL BE PRESENT

Cátia Alpedrinha e Catarina Eduardo
Portugal Doc 2022 8’

Após cinco anos de voluntariado missionário, Natan vive hoje em Lisboa, sob a protecção da sua fé. Optou por se abstrair de si mesmo e se dedicar a promover e a contribuir para a inclusão social dos outros, para ignorar a exclusão de que é vítima.

After five years of missionary volunteering, Natan now lives in Lisbon, under the protection of his faith_. He chose to abstract himself from himself and dedicate his life to helping and contributing to the social inclusion of others, in order to ignore the exclusion he is a victim of.

Argumento Screenplay Catia Alpedrinha e Catarina Eduardo
Produção Production Ruben Martins e Teresa Baptista
Fotografia Cinematography António Freitas
Montagem Editing Gonçalo Ruivo e Guilherme Melo
Música Music Several Noise e Ray
Direcção de Arte Art Design António Freitas
Design de Som Sound Design Gonçalo Ruivo e Guilherme Melo
Com With Natan de Lima Santos
Distribuidor Distributor ETIC
Escola School ETIC

Festivais Festivals
Encontros de Viana e Prémios Sophia Estudante

Nota das Realizadoras Directosr’ Statement
Inclusion is a process carried out by two parties, the subject and society, or environment, where the same if you want to include. But this inclusion must be given with respect for the individuality, and should serve as an antidote to gender inequality and social. We propose to work the issue of inclusion through the exclusion of a real character: Nathan. It is a story of a contrasting nature in itself: someone who fought for inclusion of possibly hundreds of people, while feeling, at the same time, abandoned by society. This is also a story that addresses several dimensions of inclusion, always focused on the same person, who will be worked on from three aspects of the character: being a foreigner, homosexual and cross-dressing. The film is composed of current images, mostly performative, with references photographs of Nathan’s past and life journey, as well as a narration in first person and ambient sounds and soundtrack that intensify each act in a distinct.

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