FILME DE ABERTURA OPENING FILM
MOSTRA DE LONGAS OUT OF COMPETITION FEATURE FILMS
||||||| QUI 17 NOV • 21H30 | CINEMA SÃO JORGE • SALA MANOEL DE OLIVEIRA
MURINA
Antoneta Alamat Kusijanović
Croácia, Brasil, Estados Unidos da América, Eslovénia • Fic • 2021 • 92’
Quando um velho amigo de família chega de visita à casa dos seus amigos numa ilha croata, as tensões entre Julija, adolescente inquieta, e Ante, o seu opressivo pai, crescem. Enquanto Ante tenta intermediar um negócio que poderá mudar as suas vidas, a existência tranquila mas isolada da família leva Julija a querer mais do influente visitante, que proporciona um sabor de libertação durante um fim-de-semana assombrado pelo desejo e a violência.
Tensions rise between restless teenager Julija and her oppressive father Ante when an old family friend arrives at their Croatian island home. As Ante attempts to strike a life-changing deal, their tranquil yet isolated existence leaves Julija wanting more from this influential visitor, who provides a taste of liberation over a weekend laid bare to desire and violence.
Argumento Screenplay Antoneta Alamat Kusijanović, Frank Graziano
Produção Production Danijel Pek, Rodrigo Teixeira
Fotografia Cinematography Hélène Louvart (AFC)
Montagem Editing Vladimir Gojun
Música Music Evgueni Galperine, Sacha Galperine
Design de Som Sound Design Julij Zornik
Com With Gracija Filipović, Danica Čurčić, Leon Lučev, Cliff Curtis
Distribuição Distribution The Match Factory
ESTREIA NACIONAL NATIONAL PREMIÈRE
Prémios Awards
Melhor Filme Balcânico, Sofia IFF, Bulgária | Melhor Filme e Melhor Som, Slovenian FF, Eslovénia | Melhor Narrativa, Hamptons IFF, EUA | Câmara de Ouro, Cannes FF, França | Melhor Filme, CinEast, Luxemburgo | Melhor Filme, Palić European FF, Sérvia
Nota da Realizaora Director’s Statement
The story is set in stark nature – where emotions are heightened and exposed to the sea, sun, and rocks as if on a plate, burning – where the senses tempt the physical world to merge inevitably with the spiritual.
Chauvinism is so deeply rooted in our society that we often mistake it for our cultural mentality. The father implements it because it suits him, the mother supports it because she is raised to do so.
For Julija, chauvinism is an antagonistic force so present as a response to her every action that she mistakes its boundaries for her own potential, until the outsider challenges it, until the cult of the father is stripped of its powers except for violence.
Julija lives in a physical paradise on a Croatian island, but in a society obsessed with getting rich quick by selling away its own essence, where a daughter’s strength is mistaken for her father’s weakness, and land’s value is mistaken for profit.
Julija has an intuition for these dynamics, and for me that is a divine spark I see in young girls. She is like the murina, the moray eel, an animal that will bite its own flesh to break free from a fisherman. Her power is her faith in herself, in nature, and in the unknown. Her power is that she refuses to be silenced.
WEBSITE • PRESSKIT • Leia a crítica de Jorge Pereira Rosa do C7nema
“MURINA: DA CAMÉRA D’OR À OLHARES DO MEDITERRÂNEO”
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